Comparisons between the play Hedda Gabler and the play Lulu

From a comparison of Ibsen’s Hedda Gabler with Wedekind’s Lulu, how far would you agree that changing styles of theatre reflect changing assumptions about the nature of human identity? Brecht claimed that in “dramatic” theatre “the human being is taken for granted,” whereas in “epic” theatre “the human being is the object of the enquiry.” This quote was also given in the question

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