War and Visual Culture
War and Visual Culture
Technological warfare is a feature of modernity and one that shapes modern bodies, spaces, and identities. This lecture covers the role of the visual in twentieth and twenty-first century warfare. Exploring the often disputed and unstable territories of conflict, it considers the changing relationship between the modern body and military technologies. The lecture starts with a focus on war propaganda to consider how visual images and material cultures are manipulated to mobilize support for war. While the control of visual communication has become critical to military success, for many far from the battlefield, the visual culture of war continues to be a source of pleasure. Through film, art, advertising, fashion, photography and gaming this lecture considers how war is embodied and visualized through popular representations.
Reading:
Blechman, H. (2004) DPM Disruptive Pattern Material: An Encyclopaedia of Camouflage: Nature, Military and Culture. London: DPM Ltd.
Craik, J. (2003) ??The Cultural Politics of Uniform??. Fashion Theory, vol. 7, no. 2, 127- 147.
Dawson, G. (1994) ??Playing at Soldiers: Boyhood Phantasies and the Pleasure- Culture of War?? in Soldier Heroes: British Adventure, Empire and the Imagining of Masculinity. London: Routledge, 233-258.
McVeigh, B. (1997) ??Wearing Ideology: How Uniforms Discipline Minds and Bodies in Japan.?? Fashion Theory, vol. 1, no. 2, 189-214.
Mirzoeff, N. (2006) ??Invisible Empire: Visual Culture, Embodied Spectacle and Abu Ghraib??. Radical History Review, no. 95, 21-44.
Sontag, S. (1996) ??Fascinating Fascism?? in Under the Sign of Saturn. London: Vintage, 318-325.
Tynan, J. (2013) ??Military Chic: fashioning civilian bodies for war?? in War and the Body. London: Routledge, 78-90.
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